How to Draw a Cat
1 / 15
Draw a circle a little wider than it is tall.
It should be noticeably wider than it is tall - about one and a tenth.
@ action
Muke daidaita da kuma tsabtace hoto don ku. takarda tana lissafa daidai daidai.
Game da wannan zane
you draw the eyes too high, you'll see the ears and the whiskers are just halfway down. This is the reason why your cat will look like a cat. You can draw the eyes too high, but you'll see the ears and the whiskers are just halfway down. You can draw the ears and the whiskers too high, but you'll see the eyes too low. You can draw the ears and the whiskers too high, but you'll see the ears and the whiskers too low, but you'll see the eyes and the whiskers too high.So you draw the ears and the whiskers too high, but you'll see the eyes too low, but you'll see the ears and the whiskers too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you draw the eyes too high.So you
QPrintPreviewDialog
-
QPrintPreviewDialog 1
Draw a circle a little wider than it is tall.
Almost every animal head starts as one simple shape, and getting it slightly wide rather than perfectly round is what stops a cat reading as a human. Draw it in one motion rather than in short careful passes - a lopsided circle drawn confidently is more use to you than a perfect one built out of twelve nervous strokes, because everything after this gets measured against it.
To, ka yi tsaro! Making it small so there is room for the body. The head is the whole drawing here; use the space.
QDialogButtonBox It should be noticeably wider than it is tall - about one and a tenth.
-
QPrintPreviewDialog 2
Draw a light line straight across the middle of the circle.
This is the eye line, and it is the single most useful mark in the drawing. Eyes sit almost exactly halfway down a head - on cats and on people - but almost everybody places them much too high, because we think of eyes as being near the top of a face. Putting the line down before the eyes stops you guessing.
To, ka yi tsaro! Drawing it a third of the way down instead of halfway. Measure it: top edge to line should equal line to chin.
QDialogButtonBox Fold the distance in half by eye. The line should sit on the fold.
-
QPrintPreviewDialog 3
Draw a second light line straight down the middle.
The vertical centre line keeps the two halves of the face agreeing with each other. Without it, one eye drifts wider than the other and the nose ends up off to one side - and because the error creeps in gradually you will not notice until the face is finished and looks subtly wrong.
To, ka yi tsaro! Skipping this because the face looks symmetrical already. It will not be by step 8.
QDialogButtonBox The two lines should cross at the centre of the circle.
-
QPrintPreviewDialog 4
Draw the left ear as a triangle sitting ON the circle.
The base of the ear belongs on the circle's edge, not floating above it. A cat's ears grow out of the skull, so the triangle should look like it is part of the head rather than balanced on top of it. Start the base inside the outline and let the sides rise from there.
To, ka yi tsaro! Perching the ears above the head with a gap underneath. That reads as a hat.
QDialogButtonBox The bottom corners of the triangle should both touch or cross the circle.
-
QPrintPreviewDialog 5
Ka yi wa kanka riga da yatsa ta dama, ka yi daidai da ita, ka yi ta waje.
Compare it to the one you just drew rather than to your idea of an ear: same height, same lean, same distance from the centre line. This is the comparison habit that fixes proportion generally, and a pair of ears is the easiest place to practise it because the error is obvious once you look for it.
To, ka yi tsaro! Making the second ear smaller. It usually happens because your hand is more cramped on that side.
QDialogButtonBox Both ear tips should be about the same distance above the circle.
-
QPrintPreviewDialog 6
Ka yanka idanun biyu a kan tsayin matãkala, wani girman ido daga juna.
The gap between a cat's eyes is about one eye wide. That single measurement does more for the likeness than the shape of the eyes themselves, so place them before you worry about how they look. Sit them ON the line rather than above it.
To, ka yi tsaro! Putting the eyes too close together, which makes the face read as a kitten or a person rather than a cat.
QDialogButtonBox You should be able to fit one more eye exactly in the gap.
-
QPrintPreviewDialog 7
Draw a vertical slit pupil in each eye.
The slit pupil is the thing that makes it unmistakably a cat rather than a dog or a bear. Keep both slits vertical and the same width - in bright light they are thin, in low light they widen to almost fill the eye, so either is correct as long as the two match.
To, ka yi tsaro! Drawing round pupils, or two slits at different angles.
QDialogButtonBox Cover one eye with a finger. The other should look the same.
-
QPrintPreviewDialog 8
Add a small triangle for the nose, on the centre line.
The nose sits about halfway between the eye line and the chin, and it points down. Keep it small - a nose drawn too large is the second most common reason a cat face reads as a dog, after a snout that is too long.
To, ka yi tsaro! Drawing it level with the bottom of the eyes. It belongs lower, in the gap between eyes and chin.
QDialogButtonBox It should sit on the vertical line, with equal space either side.
-
QPrintPreviewDialog 9
Draw two curves down and out of the nose, like a wide W.
This is the mouth, and the shape is two shallow curves rather than one line. Both start at the bottom point of the nose. Keep them shallow - deep curves turn a neutral cat into a grinning one, which is a fine choice but should be a choice.
To, ka yi tsaro! Starting the curves from the sides of the nose instead of its bottom point.
QDialogButtonBox Both curves should meet exactly at the nose tip.
-
QPrintPreviewDialog 10
Kuma ka riƙi abin da ya saukar daga sama da abin da ya saukar daga ƙasa.
The whisker pads are what give a cat its rounded, slightly smug lower face, and beginners almost always leave them out - which is why a drawn cat can have every feature in the right place and still look flat. Keep them low and wide.
To, ka yi tsaro! Making them too small, so the face stays flat.
QDialogButtonBox They should sit below the nose and overlap the mouth curves.
-
QPrintPreviewDialog 11
Ka yanka su uku a kan hagu, daga gefen hanci.
Whiskers grow from the whisker pads, not from the outline of the face - that is the detail that makes them look attached rather than drawn on. Fan them out at different angles and let them run past the edge of the head. One confident stroke each.
To, ka yi tsaro! Starting them at the edge of the face, which makes them look like scratches on the paper.
QDialogButtonBox All three should begin inside the muzzle bumps.
-
QPrintPreviewDialog 12
Yi zane da ɓoyayyun
Match the angles rather than the exact lengths - real whiskers are uneven, and identical ones look printed. Again, one stroke each, and let your hand move from the shoulder rather than the fingers so the lines stay straight.
To, ka yi tsaro! Drawing these more carefully than the left side, so the two halves have visibly different line quality.
QDialogButtonBox Step back. The whiskers should read as a fan, not a comb.
-
QPrintPreviewDialog 13
Draw a smaller triangle inside each ear.
The inner ear sits slightly forward of centre and does not reach the tip. Leaving a margin of outer ear all the way around is what gives the ear thickness - fill it to the edges and the ear goes flat.
To, ka yi tsaro! Drawing the inner triangle all the way to the ear tip.
QDialogButtonBox There should be a visible border of outer ear on every side.
-
QPrintPreviewDialog 14
Ka ƙara wasu ƙan alamun fuska a gaba ga kõwane fuska, suna ambata.
Fur is suggested, never drawn hair by hair. A handful of short strokes breaking the outline at the cheeks is enough for the eye to fill in the rest, and it stops the head reading as a hard circle. Point them the way the fur grows - outward and slightly down.
To, ka yi tsaro! Adding fur all the way around the head, which turns the silhouette to fuzz.
QDialogButtonBox Only the cheeks should be broken up. The top of the head stays smooth.
-
QPrintPreviewDialog 15
Ka je kan layuka da kake so ka riƙe, kuma ka rasa masu shiryarwa biyu.
This is the step that turns a construction drawing into a finished one, and it is the step most people skip. Press harder on the outline, the ears and the eyes; leave the fur and whiskers light. That difference in line weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.
To, ka yi tsaro! Going over everything at the same weight, which flattens the drawing back out.
QDialogButtonBox The outline and eyes should be clearly darker than the whiskers.
@ action
Mataki na gaba, an yi wasa da shi cikin tsari daga shafi baƙi zuwa kwafin da aka gama.
QDialogButtonBox
@ action
@ action
Abin da wannan daya a gaskiya sanar da ku
you're a beginner, you'll need to learn how to draw a cat costume. You'll need to know how to draw a cat costume, and how to draw a cat costume. You'll need to know how to draw a cat costume, and how to draw a cat costume. You'll need to know how to draw a cat costume, and how to draw a cat costume. You'll need to know how to draw a cat costume, and how to draw a cat costume, and how to draw a cat costume.It
Ku yi amfani da waɗannan: Line confidence Proportion Corners and joins
Abin da kuke buƙata
Kowane abu. Wani yatsa a kan fuskar kwamfyuta na aiki, haka kuma wani maɓalli, haka kuma wani launi da kuma baya na wani kwafin. Idan kana kan takarda, to, yi zane mai sauƙi a cikin matakai farko huɗu - waɗannan layuka ne na bangon da za ka so ka iya rasa su bayan haka.
Idan yana tafiya ba daidai ba
you can't tell why, then you can't draw the whole thing. If you can't tell why, then you can't draw the whole thing. If you can't tell why, then you can't draw the whole thing. If you can't tell why, then you can't draw the whole thing. If you can't tell why, then you can't draw the whole thing. If you can't tell why, then...If you can't say why, then...If you can't say why, then...If you can...IfIf you can't say why, then...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...If you can't say why...
@ action
Ka cire shi daga fuskar kwamfyuta. An buga takardar mataki a kan shafi guda.
Waɗancan tambayoyin da suke yin tambaya.
- Me ya sa kike ganin ki a cikin wannan hali?
- @ action
- Shin, ina buƙatar kwamfutoci?
- Ba haka ba. Wannan yana aiki da kwamfutoci da ke da maɓalli, da trackpad, da yatsa, ko da kwamfutoci da takarda da aka yi hoto da wayarka. Wasu mutane a nan suna amfani da takarda.
- Yaushe ne wannan zai kasance?
- A cikin minti goma sha bakwai a farkon lokaci da uku na biyu. Yin zane biyu zai koya maka fiye da yin zane sau ɗaya da sauri.
- Shin zan iya zane wani karen gaskiya a matsayin wani karen zane?
- Fara a nan ko da yaushe. Shafuka masu saukarwa suna daidai kuma ana canja ma'aunin kai tsaye zuwa wata kifi mai gaskiya.
- QDialogButtonBox
- Ka ci gaba da tafiya.
- "Kuma mẽne ne idan nã ƙãre haƙuri game da shi?"
- Yi amfani da maɓallin ƙare-da-daɗewa. Za ka sami wata ƙafa mai cikakke da wasu bayanai kaɗan, wanda shi ne zane da aka ƙãre ba wani wanda aka bar ba.
- Shin, zan yi amfani da mai shiryarwa ko zan rufe shi?
- @ action
- Shin, zan iya buga matakai?
- Na gode, akwai takardar mataki mai bugawa a cikin takarda da A4 a ƙarƙashin shafin.
Shin wannan shafi ya amfana?