How to Draw a Fox

14 astmed ~12 min Raskused 2/5 Vaba, pole registreerumist

Mida sa täna joonistad?

1 / 14

Blokeerige rebasepea suur ring.

It should fill most of your page, with a margin all round.

Kas sa joonistad selle hoopis paberile?

Me teeme sulle pildi korda ja paberid loevad täpselt sama.

Selle joonise kohta

Kui oled kassi joonistanud, on rebane sama, mis teritatud. Kõik, mida kass maha ümmargune, osutab rebane: kõrvad on pikemad kolmnurgad, suukorvid on pigem pikk kiil kui pehme muhk ja saba on peaaegu sama suur kui keha. See teeb temast ideaalse teise looma. Sa juba tead, kuhu kujud lähevad, nii et kogu su tähelepanu võib minna asjale, mida see õppetund tegelikult tähendab - ühe kuju üle otsustamine rebase idee vastu.

Samm-sammult

  1. Samm 1

    Blokeerige rebasepea suur ring.

    Everything else gets measured against this, so draw it in one motion rather than in short careful passes. A slightly lopsided shape drawn confidently is more use than a perfect one built out of twelve nervous strokes, because you can correct a shape and you cannot un-see a hesitant line.

    Vaata ette. Drawing it small to leave room for detail. The big shape is most of the drawing - use the space.

    Kontrolli It should fill most of your page, with a margin all round.

  2. Samm 2

    Lisage kaks keskjoont kergelt.

    These are the rulers for everything that follows. Without them the two halves of the fox drift apart by a few millimetres at a time and you do not notice until it is finished and subtly wrong. Press lightly - they come off at the end.

    Vaata ette. Skipping them because it looks symmetrical already. It will not be by the time you are done.

    Kontrolli They should cross at the middle of the shape you just drew.

  3. Samm 3

    Joonista suukorvi pika kitsa kiiluna.

    This is the shape that says fox rather than dog. It comes off the lower half of the circle and it is longer and thinner than feels right - compare its length to the head circle rather than guessing, and it should be about half as long as the head is wide.

    Vaata ette. A short, wide muzzle, which reads as a puppy.

    Kontrolli The muzzle should be about half the head's width in length.

  4. Samm 4

    Esimene kõrv: pikk kolmnurk, mis kaldub väljapoole.

    Fox ears are big - roughly as tall as half the head circle - and the outer edge curves in slightly rather than running dead straight. Set the angle deliberately, because the two ears must agree.

    Vaata ette. Making the ears too small and too upright.

    Kontrolli The ear should be about half the height of the head circle.

  5. Samm 5

    Tõmba teine kõrv esimesega võrdseks.

    Compare it to the one you just drew rather than to your idea of a ear: same size, same angle, same distance from the centre. This is the comparison habit that fixes proportion everywhere, and a pair is the easiest place to practise it because the error is obvious once you look for it.

    Vaata ette. Making the second ear smaller - it usually happens because your hand is more cramped on that side.

    Kontrolli Both should sit the same distance from the centre line.

  6. Samm 6

    Sisekõrva lisamine väiksema kolmnurgana igasse.

    Set in from the edges and slightly lower than the outer point. This is where the dark goes later, and it is what makes an ear read as a cup rather than as a flat shape stuck to the head.

    Vaata ette. Inner triangles that touch the outer edges, which flattens the ear.

    Kontrolli There should be a visible margin all round each inner triangle.

  7. Samm 7

    Asetage silmad horisontaalsele keskjoonele.

    Fox eyes are almond-shaped and angled - the outer corner sits higher than the inner one, which is what gives a fox its sharp expression. Leave a full eye's width between them.

    Vaata ette. Round eyes set level, which looks startled rather than alert.

    Kontrolli You should be able to fit one more eye between the two.

  8. Samm 8

    Lisa nina suukorvi otsa ja joon suu juurde.

    A small rounded triangle, and it points down. The line from the nose back along the muzzle is what separates the top of the snout from the jaw, and without it the muzzle reads as a solid wedge.

    Vaata ette. A large round nose, which pulls the drawing back toward a dog.

    Kontrolli The nose should be small relative to the muzzle.

  9. Samm 9

    Joonistada keha ümara kolmnurgana pea all.

    A sitting fox is essentially a wide-based triangle with the head on top. Overlap it with the head circle rather than butting them together - the overlap is what makes the head sit in front of the chest.

    Vaata ette. Placing the body directly under the head with no overlap, which reads as two stacked shapes.

    Kontrolli The body outline should pass behind the head.

  10. Samm 10

    Tõmba saba kui pikk paks kõver, laiem kui sa arvad.

    This is the shape most people undersize. A fox tail is about as long as the body and roughly a third as thick, and it curls round the base of the body rather than sticking out behind. Draw its outline as two curves, not one.

    Vaata ette. A thin tail, which loses the whole silhouette.

    Kontrolli The tail should be at least a third as thick as the body is wide.

  11. Samm 11

    Märgi valge rind ja valge saba ots.

    These are the two shapes that make a fox recognisable without colour. They are areas you leave alone, not areas you draw - deciding now where the paper stays white is what stops you shading over them in the next step.

    Vaata ette. Shading the whole fox evenly and then trying to erase the white back in.

    Kontrolli You should have two clearly reserved light shapes.

  12. Samm 12

    Varja kõrvaotsad, jalad ja suukorvi ots tumedaimad.

    A fox's dark points are its ear tips, its lower legs and the very tip of its muzzle. Get real contrast between those and the white chest - a fox in a narrow band of grey looks like a stuffed toy.

    Vaata ette. Being timid, so the darks and the whites end up only slightly different.

    Kontrolli The ear tips should be clearly the darkest part of the drawing.

  13. Samm 13

    Lisa paar vurrud ja soovitus karusnaha rinnale.

    Detail is suggested, never itemised. A handful of marks in the right places lets the eye fill in the rest, and drawing every one flattens the drawing into texture. Put them where they matter and stop early.

    Vaata ette. Adding detail evenly all over, which removes the contrast between busy areas and quiet ones.

    Kontrolli Step back. You should still read the big shape first, detail second.

  14. Samm 14

    Mine üle ridade, mida sa tahad hoida, ja kaota teejuhid.

    This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.

    Vaata ette. Going over everything at the same weight, which flattens the drawing back out.

    Kontrolli The outline should be clearly darker than the smallest details.

Vaata, kuidas see joonistatakse, samm-sammult

Samad sammud eespool, mängitakse, et tühjalt leheküljelt valmis visand.

Ehitatud samadest astmetest ülevalt - midagi filmitud, ei midagi käsitsi elustatud.

Kuidas paistab valmis?

Sama joonistus iga juhendiga kustutatud ja ainult need jooned, mida sa tahtsid hoida, kaalu juures, mida sa tahtsid. Kui sinu omas on ikka veel keskjooned ja blokeerivad kujundeid, siis see on samm, mida sa pole veel teinud - ja see võtab umbes kolmkümmend sekundit.

The finished drawing of a fox with the construction lines erased

See on ehitus tellingud ära, mitte joonistus keegi tehtud imetleda - mõte on näidata teile, millised oma read olid juhendid.

Mida see tegelikult õpetab sulle

See on võrdlus õppetund. Iga osa siin on seatud mõõtmise vastu midagi juba lehel - suukorvi vastu pead, teine kõrv vastu esimest, saba vastu keha - ja ükski sellest ei meenuta, milline rebane näeb välja. Samuti tutvustab iseloomu läbi kuju keeles: teravad kujundid lugeda kui hoiatus ja ümarad on pehmed. Sama konstruktsioon, erinev tunne, ja teades, milline hooba tõmmata on enamik, mida stiilne joonis on.

Mida sa vajad?

Kui sul on punane või oranž pliiats, on viimane samm lõbusam, aga joonistus töötab täielikult grafiidis ja varjutussamm on tähtsam kui värv.

Kui see läheb valesti

Kui see näeb välja nagu koer, on suukorvi liiga lühike ja kõrvad on liiga ümmargused. Rebane suukorvi on pikk ja kitsas; kõrvad on pikad kolmnurgad, mille välisserval on väike sissepoole kõver. Kui see näeb välja nagu kass, siis pole sa saba piisavalt suureks teinud. Rebase saba on umbes nii pikk kui sa arvad. Joonista teine kõrv, võrreldes seda esimesega, mitte teise kõrvaga. See on üks harjumus, mis määrab proportsiooni iga teema vahel, mida sa kunagi joonistad.

Trükkimine

Võta see ekraanilt ära, ühel lehel on astmeline leht.

Kiri (USA) A4

Küsimusi, mida inimesed küsivad

Miks mu rebane koera moodi välja näeb?
Suusara on liiga lühike ja kõrvad liiga ümmargune. Pikkuse pusle kitsaks kiil ja teha kõrvad kõrge kolmnurga.
Kui suur peaks saba olema?
Umbes nii kaua, kui keha ja palju paksem, kui sa arvad. Alamõõduline saba on teine kõige tavalisem rebase viga.
Kuhu kõrvad lähevad?
Kõrge ja üsna lähedal koos, nõjatub veidi väljapoole. Võrdle teine kõrv esimesega, mitte joonistada seda nullist.
Kas ma vajan värvi?
Ei. Valge rind, tumedad jalad ja valge saba ots teevad tööd grafiidis, kuni väärtused on üksteisest eraldatud.
Kuidas see erineb kassitunnist?
Sama ehitus, teravamad kujud, kui kass läheb hästi, siis läheb sul umbes 12 minutit.
Mu rebane on lame.
Sa ei ole pimedat maha pannud, jalad ja kõrvaotsad peaksid olema palju tumedamad kui keha, mitte veidi.
Kas rebane peaks istuma või seisma?
Istudes, selles tunnis - see peidab kaks jalga ja võimaldab teil keskenduda pea ja saba, mis kannavad iseloomu.
Mida ma peale seda joonistan?
Kruus, ellipsi jaoks või silm, kui tahad hüpata kõige raskema asja juurde.