How to Draw a Book
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Teikna hrygginn sem stutta línu niður í miðju.
It should be vertical and near the middle of your page.
Teikna á pappír í staðinn?
Við réttum og hreinsa mynd fyrir þig. Pappír telur nákvæmlega það sama.
Um þessa teikningu
A book is a box, and boxes are the foundation of drawing anything man-made. Get a book right and you can draw a phone, a table, a building and a room, because they are the same problem at different sizes.
The rule that fixes almost everyone's box: the lines going away from you are not parallel on the page. They converge, slightly. Draw them parallel and the book looks like a badly folded piece of card.
Skref fyrir skref
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Skref 1
Teikna hrygginn sem stutta línu niður í miðju.
Everything hangs off this. The spine is the hinge, and both page halves are measured from it - which is why drawing it first stops the book coming out bent.
Watch out Starting with a page and adding the spine afterwards.
Athuga It should be vertical and near the middle of your page.
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Skref 2
Teiknaðu efsta brún hverrar síðu, halla aðeins í átt að hvor öðrum.
These are the edges going away from you, so they converge. Not dramatically - a few degrees is enough. This single detail is what separates a box from a folded rectangle.
Watch out Drawing them parallel, or worse, diverging.
Athuga Extended, the two lines should eventually meet.
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Skref 3
Lokaðu hverri síðu með ytri brún sem kemur aftur í átt að þér.
These are the short edges of the covers. Keep them roughly the same length as each other - the two halves of an open book are the same size, and any difference reads as a mistake rather than as perspective.
Watch out Making one cover visibly longer than the other.
Athuga Both outer edges should be about the same length.
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Skref 4
Taka þátt í ytri brúnir aftur til botns hryggsins.
This closes the two page shapes. Corners must actually meet - overshoot slightly and let the lines cross rather than aiming to stop exactly on the point, because a crossed corner reads as closed and a gap does not.
Watch out Stopping just short, leaving four small gaps.
Athuga Every corner should be closed or slightly crossed.
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Skref 5
Teikna þykkt: stuttar línur niður frá hverju ytra horni.
A book is a solid, not a sheet. These three short verticals turn the flat shape into a box, and they must all be the same length - unequal ones make the book look warped.
Watch out Making the three drop lines different lengths.
Athuga All three verticals should measure the same.
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Skref 6
Taka þátt í botnum þessara línur til að loka undirhlið.
Now the box is complete. These lines run parallel to the edges directly above them - if they do not, the thickness of the book changes along its length, which is the classic wobbly-box look.
Watch out Drawing these at a different angle from the edges above.
Athuga Each bottom edge should run parallel to the one above it.
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Skref 7
Bæta við síðu stafla sem tvær eða þrjár stuttar línur á hvorri brún.
Pages read as a stack, not a slab. Two or three lines following the cover edge is enough for the eye to fill in hundreds - drawing more just makes it look hatched.
Watch out Drawing one hard line, which reads as solid wood.
Athuga You should see distinct layers, not a filled band.
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Skref 8
Teikna smá feril í hverja síðu nálægt hryggnum.
Open pages are not flat - they dip toward the spine. Adding that curve is the difference between an open book and two flat cards taped together, and it takes one stroke each side.
Watch out Leaving the pages perfectly flat.
Athuga Each page should dip slightly as it approaches the spine.
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Skref 9
Bæta við línum texta, eftir síðuhorni.
Text lines run parallel to the top edge of the page they sit on, which means they are NOT horizontal - they lean with the perspective. Drawing them level is the fastest way to flatten a book you have just built.
Watch out Drawing the text lines horizontally.
Athuga The text lines should lean the same way as the page's top edge.
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Skref 10
Skuggaðu hlið bókarinnar í burtu frá ljósinu.
Work in one direction rather than scrubbing back and forth. Scrubbing gives an even grey, which is exactly the thing that makes a drawing look flat, so lay the strokes the same way and build the darkness in passes.
Watch out Being too timid. Beginners routinely stop two or three steps short of dark enough.
Athuga The dark side should be clearly darker than the mid tone, not slightly.
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Skref 11
Bættu skugga á yfirborðinu undir.
The cast shadow is darkest where it touches the book and softens as it moves away. It also anchors the object to a surface - without it the book floats, however well you have shaded it.
Watch out Drawing it as an even grey blob detached from the object.
Athuga It should touch the object and be darkest at that contact point.
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Skref 12
Fara yfir línurnar sem þú vilt halda, og missa leiðbeiningar.
This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.
Watch out Going over everything at the same weight, which flattens the drawing back out.
Athuga The outline should be clearly darker than the smallest details.
Horfa á það að draga, skref fyrir skref
Sömu skref hér að ofan, spilað í röð frá auðum síðu til fullunna skissu.
Hvernig það lítur út eins og lokið
Sama teikningin með öllum leiðbeiningum eytt og aðeins línurnar sem þú ætlaðir að halda, á þyngd sem þú ætlaðir að vera. Ef þinn er enn með miðlínur og blokka-í form í henni, þetta er skrefið sem þú hefur ekki gert ennþá - og það tekur um þrjátíu sekúndur.
Ūitt mun ekki líta svona út og ūađ á ekki ađ vera. Ūetta er byggingin međ vinnupallnum fjarlægđum, ekki teikning sem einhver gerđi til ađ vera dáđur. Markmiđiđ er ađ sũna ūér hverjar línurnar voru.
Það sem þetta kennir þér í raun
you draw a box, you can see the corners of the box in the real world, and you can see the corners of the box in the real world. This is a lesson that is not only about the placement of the box, but also about the placement of the box in the real world. It is a lesson that is not only about the placement of the box in the real world, but also about the placement of the box in the real world. It is a lesson that is not only about the placement of the box in the real world, but also about the placement of it.It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world but also about the placement of the box.It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world but also about the placement of the box in the real world.It is not only about the placement of the box in the real world.If it is not,It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world but about the placement of the box in the real world.It is not only about the placement of the box in the real world but also about the placement of the box in the real world.It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world.It is not only about the placement of the box in the real world but also about the placement of the box in the real world.It is not only about the placement of the box in the real world but about the placement of the box.It is not only about the placement of the box in the real world but about the placement of the box.It is not only about the placement of the box in the real world but about the placement of the box.It is not only about the placement of the box in the real world but about the placement of the box.It is not only about the placement of the box in the
Æfðu þetta: Line confidence Proportion Corners and joins
Það sem þú þarft
Blýantur, því þú munt teikna í gegnum formið létt og missa helming þessara lína síðar.Settu alvöru bók á borðið - þessi kennslustund er miklu auðveldara með eitthvað til að skoða en úr minni.
Ef það fer úrskeiðis
the spine is bent, draw the spine first and build the two halves off it. If the spine is bent, draw the spine first and build the two halves off it. If the spine is bent, draw the spine first and build the two halves off it. If the spine is bent, draw the spine first and build the two halves off it. If the spine is bent, draw the spine first and build the two halves off it. If the spine is bent, draw the spine first.Draw the whole box lightly before any detail, including the edges you cannot see. Drawing only the visible edges is how the corners end up disagreeing with each other.Draw the spine first and build the two halves off it.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first.Draw the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build the spine first and build
Prenta skrefin
Taktu það frá skjánum. Skref blaðið prentar á einni síðu.
Spurningar sem fólk spyr
- Af hverju lítur bókin mín beygð út?
- Teiknið hrygginn fyrst og byggið báðar hliðar úr honum, en síðan er hægt að teikna báðar hliðar úr honum.
- Ættu brúnir að vera samhliða?
- Nei, brúnir sem fara í burtu frá þér sameinast örlítið. Samhliða brúnir eru algengasta ástæðan fyrir því að teiknaður kassi lítur rangt út.
- Hvernig teikna ég síðurnar?
- Sem stafli af stuttum línum meðfram brún, ekki einn harður lína.Tveir eða þrír eru nóg til að lesa eins og pappír.
- Þarf ég að flýja punkta?
- Ekki fyrir þetta. Bara gera fjarlægar brúnir halla í átt að hvor öðrum örlítið og það mun lesa rétt.
- Ætti ég að teikna hluta sem ég sé ekki?
- Já, létt. Teikna í gegnum formi er það sem heldur hornin sammála hvert öðru.
- Opin bók eða lokuð bók?
- Þessi kennslustund teiknar opna bók. Lokað bók er sama kassa með færri skrefum, svo reyndu það strax eftir.
- Hornin mín eru ekki í röđ.
- Teiknaðu það aftur - horn nákvæmni bætir hraðar en næstum allir aðrir teikna færni.
- Hvað ætti ég að teikna eftir þetta?
- Kassar og strokka saman ná flestir af mannavöldum hluti sem þú munt alltaf vilja til að teikna.
Var þessi síða gagnleg?