How to Draw a Fox

Қадами ба қадам

1. Қадам 1

   Дар доираи калони сарҳои форс блок кунед.

   Everything else gets measured against this, so draw it in one motion rather than in short careful passes. A slightly lopsided shape drawn confidently is more use than a perfect one built out of twelve nervous strokes, because you can correct a shape and you cannot un-see a hesitant line.

   Диққат Drawing it small to leave room for detail. The big shape is most of the drawing - use the space.

   & Озмоиш It should fill most of your page, with a margin all round.

2. Қадам 2

   Иловаи ду хатҳои марказӣ, каме

   These are the rulers for everything that follows. Without them the two halves of the fox drift apart by a few millimetres at a time and you do not notice until it is finished and subtly wrong. Press lightly - they come off at the end.

   Диққат Skipping them because it looks symmetrical already. It will not be by the time you are done.

   & Озмоиш They should cross at the middle of the shape you just drew.

3. Қадам 3

   Дар ин ҷо барои дарёфти маълумот дар бораи дарёи Дунай гузаред.

   This is the shape that says fox rather than dog. It comes off the lower half of the circle and it is longer and thinner than feels right - compare its length to the head circle rather than guessing, and it should be about half as long as the head is wide.

   Диққат A short, wide muzzle, which reads as a puppy.

   & Озмоиш The muzzle should be about half the head's width in length.

4. Қадам 4

   1-уми октябри соли 1993, деҳаи Навободи ноҳияи Рӯдакӣ, ноҳияи Рӯдакӣ, ш.

   Fox ears are big - roughly as tall as half the head circle - and the outer edge curves in slightly rather than running dead straight. Set the angle deliberately, because the two ears must agree.

   Диққат Making the ears too small and too upright.

   & Озмоиш The ear should be about half the height of the head circle.

5. Қадам 5

   Кашидани гӯшаки дуюм барои мувофиқат бо гӯшаки якум.

   Compare it to the one you just drew rather than to your idea of a ear: same size, same angle, same distance from the centre. This is the comparison habit that fixes proportion everywhere, and a pair is the easiest place to practise it because the error is obvious once you look for it.

   Диққат Making the second ear smaller - it usually happens because your hand is more cramped on that side.

   & Озмоиш Both should sit the same distance from the centre line.

6. Қадам 6

   Дар дохили ҳар як секунҷаи хурдтар гӯшаи дохилӣ илова кунед.

   Set in from the edges and slightly lower than the outer point. This is where the dark goes later, and it is what makes an ear read as a cup rather than as a flat shape stuck to the head.

   Диққат Inner triangles that touch the outer edges, which flattens the ear.

   & Озмоиш There should be a visible margin all round each inner triangle.

7. Қадам 7

   Ҷойгиркунии чашмҳо дар хати уфуқии марказӣ.

   Fox eyes are almond-shaped and angled - the outer corner sits higher than the inner one, which is what gives a fox its sharp expression. Leave a full eye's width between them.

   Диққат Round eyes set level, which looks startled rather than alert.

   & Озмоиш You should be able to fit one more eye between the two.

8. Қадам 8

   Add the nose at the tip of the muzzle and a line back to the mouth.

   A small rounded triangle, and it points down. The line from the nose back along the muzzle is what separates the top of the snout from the jaw, and without it the muzzle reads as a solid wedge.

   Диққат A large round nose, which pulls the drawing back toward a dog.

   & Озмоиш The nose should be small relative to the muzzle.

9. Қадам 9

   Тасвири бадан ҳамчун секунҷаи гирда дар поёни сар.

   A sitting fox is essentially a wide-based triangle with the head on top. Overlap it with the head circle rather than butting them together - the overlap is what makes the head sit in front of the chest.

   Диққат Placing the body directly under the head with no overlap, which reads as two stacked shapes.

   & Озмоиш The body outline should pass behind the head.

10. Қадам 10

    Кашидани пушт ҳамчун як хати каҷи дароз, васеътар аз он ки шумо интизоред.

    This is the shape most people undersize. A fox tail is about as long as the body and roughly a third as thick, and it curls round the base of the body rather than sticking out behind. Draw its outline as two curves, not one.

    Диққат A thin tail, which loses the whole silhouette.

    & Озмоиш The tail should be at least a third as thick as the body is wide.

11. Қадам 11

    Дар ибтидои асри XX дар Ӯзбекистон ва Белорусия ба вуҷуд омадааст.

    These are the two shapes that make a fox recognisable without colour. They are areas you leave alone, not areas you draw - deciding now where the paper stays white is what stops you shading over them in the next step.

    Диққат Shading the whole fox evenly and then trying to erase the white back in.

    & Озмоиш You should have two clearly reserved light shapes.

12. Қадам 12

    Дар ин ҷо барои парвариши гандум, пахта ва пахтаи хушк замин омода карда мешавад.

    A fox's dark points are its ear tips, its lower legs and the very tip of its muzzle. Get real contrast between those and the white chest - a fox in a narrow band of grey looks like a stuffed toy.

    Диққат Being timid, so the darks and the whites end up only slightly different.

    & Озмоиш The ear tips should be clearly the darkest part of the drawing.

13. Қадам 13

    Дар ин ҷо барои дарёфти иқтибос ва ёддоштҳо аз китобҳои гуногуни таърихӣ ва осори дигари таърихӣ истифода бурда мешавад.

    Detail is suggested, never itemised. A handful of marks in the right places lets the eye fill in the rest, and drawing every one flattens the drawing into texture. Put them where they matter and stop early.

    Диққат Adding detail evenly all over, which removes the contrast between busy areas and quiet ones.

    & Озмоиш Step back. You should still read the big shape first, detail second.

14. Қадам 14

    Дар болои хатҳое, ки мехоҳед нигоҳ доред, гузаред ва роҳнамоҳоро гум кунед.

    This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.

    Диққат Going over everything at the same weight, which flattens the drawing back out.

    & Озмоиш The outline should be clearly darker than the smallest details.