How to Draw a Book

12 步骤 ~12 分钟 难 2/5 自由,没有注册

今天你画的画

1 / 12

将脊椎画成中间的短线。

It should be vertical and near the middle of your page.

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关于此绘图

一本书是一个盒子, 盒子是绘制任何人造东西的基础。 书要正确, 你可以画一部电话、 一张桌子、 一座建筑和一个房间, 因为它们大小不同。 规则是几乎每个人的盒子都一样。 规则是: 离开你的线在页面上不是平行的。 它们会比较, 稍许地。 把它们画在平行, 书像一张糟糕的折叠卡片 。

一步

  1. 步 1

    将脊椎画成中间的短线。

    Everything hangs off this. The spine is the hinge, and both page halves are measured from it - which is why drawing it first stops the book coming out bent.

    小心 Starting with a page and adding the spine afterwards.

    检查支票 It should be vertical and near the middle of your page.

  2. 步 2

    绘制每页的顶端, 稍微向上倾斜 。

    These are the edges going away from you, so they converge. Not dramatically - a few degrees is enough. This single detail is what separates a box from a folded rectangle.

    小心 Drawing them parallel, or worse, diverging.

    检查支票 Extended, the two lines should eventually meet.

  3. 步 3

    关闭每页 外缘会回到你身边

    These are the short edges of the covers. Keep them roughly the same length as each other - the two halves of an open book are the same size, and any difference reads as a mistake rather than as perspective.

    小心 Making one cover visibly longer than the other.

    检查支票 Both outer edges should be about the same length.

  4. 步 4

    将外缘连到脊椎底部

    This closes the two page shapes. Corners must actually meet - overshoot slightly and let the lines cross rather than aiming to stop exactly on the point, because a crossed corner reads as closed and a gap does not.

    小心 Stopping just short, leaving four small gaps.

    检查支票 Every corner should be closed or slightly crossed.

  5. 步 5

    绘制厚度: 从每个外角下下行短线。

    A book is a solid, not a sheet. These three short verticals turn the flat shape into a box, and they must all be the same length - unequal ones make the book look warped.

    小心 Making the three drop lines different lengths.

    检查支票 All three verticals should measure the same.

  6. 步 6

    加入这些线底的底部 关闭底部。

    Now the box is complete. These lines run parallel to the edges directly above them - if they do not, the thickness of the book changes along its length, which is the classic wobbly-box look.

    小心 Drawing these at a different angle from the edges above.

    检查支票 Each bottom edge should run parallel to the one above it.

  7. 步 7

    每个边缘添加两三条短线页面堆叠。

    Pages read as a stack, not a slab. Two or three lines following the cover edge is enough for the eye to fill in hundreds - drawing more just makes it look hatched.

    小心 Drawing one hard line, which reads as solid wood.

    检查支票 You should see distinct layers, not a filled band.

  8. 步 8

    向脊椎附近的每页绘制略微的曲线。

    Open pages are not flat - they dip toward the spine. Adding that curve is the difference between an open book and two flat cards taped together, and it takes one stroke each side.

    小心 Leaving the pages perfectly flat.

    检查支票 Each page should dip slightly as it approaches the spine.

  9. 步 9

    添加文字行,在页面角度后。

    Text lines run parallel to the top edge of the page they sit on, which means they are NOT horizontal - they lean with the perspective. Drawing them level is the fastest way to flatten a book you have just built.

    小心 Drawing the text lines horizontally.

    检查支票 The text lines should lean the same way as the page's top edge.

  10. 步 10

    将书的一面遮蔽 远离光线

    Work in one direction rather than scrubbing back and forth. Scrubbing gives an even grey, which is exactly the thing that makes a drawing look flat, so lay the strokes the same way and build the darkness in passes.

    小心 Being too timid. Beginners routinely stop two or three steps short of dark enough.

    检查支票 The dark side should be clearly darker than the mid tone, not slightly.

  11. 步 11

    将阴影加在下面的表面

    The cast shadow is darkest where it touches the book and softens as it moves away. It also anchors the object to a surface - without it the book floats, however well you have shaded it.

    小心 Drawing it as an even grey blob detached from the object.

    检查支票 It should touch the object and be darkest at that contact point.

  12. 步 12

    越过你想保持的线条 失去导游

    This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.

    小心 Going over everything at the same weight, which flattens the drawing back out.

    检查支票 The outline should be clearly darker than the smallest details.

看着它被拉着 一步地

上面同样的步骤,从空白页到素描完成的草图,都按顺序进行。

建于上面同样的台阶上 什么都没有拍下来 也没有手动动动静

看起来像是完成

所有的指南都被删除,只有你想要保持的线条, 以你想要保持的重量。如果你的线条仍然居中, 并且有屏蔽形状, 这就是你还没有做的, 大约30秒。

The finished drawing of a book with the construction lines erased

你不会像这个样子, 也不应该。 这是用脚架的建筑, 而不是一个被人们迷惑的画画-- 重点是向你们展示哪条线是向导。

这一个教了你什么

这是将视角课伪装成简单对象。 具体技能是趋同: 真实世界的平行边缘并不平行, 并且它们聚集到多少地方会告诉观众他们站在哪里。 它会进行硬性定位。 盒子有八个角落, 所有人都必须同意, 外边有一个小角落, 从来没有一个摇晃的猫耳朵, 并且从不见。 这是人们首先注意自己准确性的教训。 如果这听起来不耐烦, 这也是为什么一个盒子是最快的改进之道。 反馈是直接和毫不含糊的—— 你可以自己看到错误, 而在五天内绘制的五个盒子会比在其中任何一个盒子上花一小时多。

你需要的东西

铅笔, 因为您会轻轻地画出这些文字, 以后会丢失一半的文字。 在书桌上写一本真正的书- 这个课比从记忆中看容易得多。

如果出错

如果书看弯了, 您的两页会在不同角度上与脊椎相交。 先绘制脊椎, 然后将两半都建起来。 在任何细节之前, 包括您看不到的边缘之前, 轻轻地绘制整盒。 只绘制可见的边缘就是角如何最终彼此不相容。 不要对建筑线施加硬力。 方法取决于能否失去它们, 而在石墨消失很久之后, 深层的碎屑线仍然可以被看到 。

打印步骤

把它从屏幕上取出来 一步页上的脚印

来信(美国) A4 A4

人们对人们提出的问题

为什么我的书看起来弯曲?
这两半面从不同角度与脊椎相匹配。 先绘制脊椎, 再将两侧都建起来 。
边缘应该平行吗?
不,边距会稍稍接近。平行边缘是被画的框看错的最常见原因。
我如何画出这些书页?
以一堆短线沿边缘,没有一条硬线。两三条足够作为纸面阅读。
我需要消失点吗?
不是这个,只是让远边稍微靠对面, 读得正确。
我应该画我看不见的部分吗?
是的,简单,通过表情画画 使角落彼此一致
开书还是闭书?
此课可以打开。 封闭的书是同一个盒子, 步数更少, 然后再直接试一下 。
我的角不排成一列
这是实际的教训。再画一遍, 角精度比其他任何绘图技巧都快。
之后我该画什么?
杯子 盒子和圆筒 一起覆盖了大部分人造物体