How to Draw a Fox
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قف في الدائرة الكبيرة لرأس الثعلب
It should fill most of your page, with a margin all round.
الرسم على الورق بدلاً من ذلك؟
نحن نقوم بتصحيح وتطهير الصورة من أجلك الورق يحسب بنفس الطريقة تماماً
حول هذا الرسم
you have drawn the cat, a fox is the same construction sharpened. Everything a cat rounds off, a fox points: the ears are taller triangles, the muzzle is a long wedge rather than a soft bump, and the tail is nearly as big as the body. You already know where the shapes go, so all your attention can be on the thing this lesson really is about - judging one shape against another instead of against your idea of a fox.That makes it the perfect second animal.You already know where the shapes go, so all your attention can be on the thing this lesson really is about - judging one shape against another instead of against your idea of a fox.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it the perfect second animal.That makes it
خطوة خطوة
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الدرجة 1
قف في الدائرة الكبيرة لرأس الثعلب
Everything else gets measured against this, so draw it in one motion rather than in short careful passes. A slightly lopsided shape drawn confidently is more use than a perfect one built out of twelve nervous strokes, because you can correct a shape and you cannot un-see a hesitant line.
إنتبه Drawing it small to leave room for detail. The big shape is most of the drawing - use the space.
.. تحقق It should fill most of your page, with a margin all round.
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الدرجة 2
أضف خطي الوسط، ببطء.
These are the rulers for everything that follows. Without them the two halves of the fox drift apart by a few millimetres at a time and you do not notice until it is finished and subtly wrong. Press lightly - they come off at the end.
إنتبه Skipping them because it looks symmetrical already. It will not be by the time you are done.
.. تحقق They should cross at the middle of the shape you just drew.
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الدرجة 3
رسم المنقار كإسفين ضيق طويل.
This is the shape that says fox rather than dog. It comes off the lower half of the circle and it is longer and thinner than feels right - compare its length to the head circle rather than guessing, and it should be about half as long as the head is wide.
إنتبه A short, wide muzzle, which reads as a puppy.
.. تحقق The muzzle should be about half the head's width in length.
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الدرجة 4
رسم الأذن الأولى: مثلث طويل، مائل إلى الخارج.
Fox ears are big - roughly as tall as half the head circle - and the outer edge curves in slightly rather than running dead straight. Set the angle deliberately, because the two ears must agree.
إنتبه Making the ears too small and too upright.
.. تحقق The ear should be about half the height of the head circle.
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الدرجة 5
رسم الأذن الثانية لتتوافق مع الأولى.
Compare it to the one you just drew rather than to your idea of a ear: same size, same angle, same distance from the centre. This is the comparison habit that fixes proportion everywhere, and a pair is the easiest place to practise it because the error is obvious once you look for it.
إنتبه Making the second ear smaller - it usually happens because your hand is more cramped on that side.
.. تحقق Both should sit the same distance from the centre line.
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الدرجة 6
تضاف الأذن الداخلية كمثلث أصغر داخل كل منها.
Set in from the edges and slightly lower than the outer point. This is where the dark goes later, and it is what makes an ear read as a cup rather than as a flat shape stuck to the head.
إنتبه Inner triangles that touch the outer edges, which flattens the ear.
.. تحقق There should be a visible margin all round each inner triangle.
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الدرجة 7
توضع العينان على خط الوسط الأفقي.
Fox eyes are almond-shaped and angled - the outer corner sits higher than the inner one, which is what gives a fox its sharp expression. Leave a full eye's width between them.
إنتبه Round eyes set level, which looks startled rather than alert.
.. تحقق You should be able to fit one more eye between the two.
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الدرجة 8
يضاف الأنف عند نهاية المنقار وخط يعود إلى الفم.
A small rounded triangle, and it points down. The line from the nose back along the muzzle is what separates the top of the snout from the jaw, and without it the muzzle reads as a solid wedge.
إنتبه A large round nose, which pulls the drawing back toward a dog.
.. تحقق The nose should be small relative to the muzzle.
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الدرجة 9
رسم الجسم كمثلث مستدير تحت الرأس.
A sitting fox is essentially a wide-based triangle with the head on top. Overlap it with the head circle rather than butting them together - the overlap is what makes the head sit in front of the chest.
إنتبه Placing the body directly under the head with no overlap, which reads as two stacked shapes.
.. تحقق The body outline should pass behind the head.
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الدرجة 10
رسم الذيل كمنحنى طويل سميكة، أوسع مما تتوقع.
This is the shape most people undersize. A fox tail is about as long as the body and roughly a third as thick, and it curls round the base of the body rather than sticking out behind. Draw its outline as two curves, not one.
إنتبه A thin tail, which loses the whole silhouette.
.. تحقق The tail should be at least a third as thick as the body is wide.
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الدرجة 11
ضع علامة على الصدر الأبيض ونهاية الذيل الأبيض.
These are the two shapes that make a fox recognisable without colour. They are areas you leave alone, not areas you draw - deciding now where the paper stays white is what stops you shading over them in the next step.
إنتبه Shading the whole fox evenly and then trying to erase the white back in.
.. تحقق You should have two clearly reserved light shapes.
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الدرجة 12
تظلل أطراف الأذن والساقين وطرف الأنف بدرجة داكنة.
A fox's dark points are its ear tips, its lower legs and the very tip of its muzzle. Get real contrast between those and the white chest - a fox in a narrow band of grey looks like a stuffed toy.
إنتبه Being timid, so the darks and the whites end up only slightly different.
.. تحقق The ear tips should be clearly the darkest part of the drawing.
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الدرجة 13
أضف القليل من الشعر و إشارة إلى الفراء على الصدر
Detail is suggested, never itemised. A handful of marks in the right places lets the eye fill in the rest, and drawing every one flattens the drawing into texture. Put them where they matter and stop early.
إنتبه Adding detail evenly all over, which removes the contrast between busy areas and quiet ones.
.. تحقق Step back. You should still read the big shape first, detail second.
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الدرجة 14
ذهب فوق الخطوط التي تريد أن تحافظ عليها، وفقد الإرشادات.
This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.
إنتبه Going over everything at the same weight, which flattens the drawing back out.
.. تحقق The outline should be clearly darker than the smallest details.
شاهده يظهر خطوة بخطوة
نفس الخطوات أعلاه، لعبت بالترتيب من صفحة فارغة إلى الرسم التخطيطي المنتهي.
ما يبدو أنه انتهى
نفس الرسم مع محو كل دليل والخطوط فقط التي كنت تقصد الاحتفاظ بها، في الوزن الذي كنت تقصد أن تكون عليه. إذا كان الرسم الخاص بك لا يزال يحتوي على خطوط مركزية وأشكال مغلقة في ذلك، فهذه هي الخطوة التي لم تفعلها بعد - وتستغرق حوالي ثلاثين ثانية.
إن رسمك لن يبدو كهذا، وليس من المفترض أن يبدو كذلك. هذا هو البناء بعد إزالة السقالات، وليس رسماً رسمه شخص ما ليُعجب به ـ الهدف هنا هو أن أظهر لك أي من خطوطك كانت دليلاً.
ماذا تعلمك هذه في الواقع
the same way, the proportions of the fox are set by measuring against something already on the page - the muzzle against the head, the second ear against the first, the tail against the body - and nothing by recalling what a fox looks like. This is the lesson of the stylised drawing. It introduces character through shape language: pointed shapes read as alert and sharp, rounded ones as soft. Same construction, different feeling, and knowing which lever to pull is most of what stylised drawing is.It introduces character through shape language: pointed shapes read as alert and sharp, rounded ones as soft. This is the lesson of the stylised drawing.It introduces character through shape language: pointed shapes read as alert and soft.It introduces character through shape language: pointed shapes read as alert and sharp, rounded shapes read as soft.This is the lesson of the stylised drawing.It introduces character through shape language: pointed shapes read as alert and sharp.It introduces character through shape language: pointed shapes read as alert and sharp.It introduces character through shape language: pointed shapes read as alert and sharp.It introduces character through shape language: pointed shapes read as alert and soft.It introduces character through shape language: pointed shapes read as alert and soft.It introduces character through shape language: pointed shapes read as alert and soft.It introduces character through shape language: pointed shapes read as soft.It introduces character through shape language: pointed shapes read as soft.It introduces character through shape language: pointed shapes read as soft.It introduces character through shape language: rounded shapes read as soft.It introduces character through shape language: rounded shapes read as soft.It introduces character through shape language: stylised drawing.It introduces character through character.It introduces character through character.It introduces character through shape language: stylised drawing.It introduces character through shape language: stylised drawing.It introduces character through shape language.It introduces character through character.It introduces character through shape language.It introduces character through character.It introduces character through shape language: pointed shapes read as alert and sharp.It introduces character through shape
ممارسة هذه: Line confidence Proportion Corners and joins
ماذا تحتاجين
أي شيء يمكنك أن تصنع علامة به، إذا كان لديك قلم أحمر أو برتقالي الخطوة الأخيرة هي أكثر متعة، ولكن الرسم يعمل كليا في الجرافيت وخطوة التظليل أهم من اللون.
إذا كان يسير على نحو خاطئ
you draw a fox, you have to draw the ears and the tail. If you draw a fox, you have to draw the ears and the tail. If you draw a fox, you have to draw the ears and the tail. If you draw a fox, you have to draw the ears and the tail. If you draw a fox, you have to draw the ears and the tail. If you draw a fox, you have to draw the ears and the tail. If you draw a fox, you have to draw the ears and the tail. If you drawDraw
طباعة الخطوات
أبعدها عن الشاشة، ورقة الخطوات تطبع على صفحة واحدة
أسئلة يطرحها الناس
- لماذا تبدو ثعلبتي ككلب؟
- إن الأنف قصير جداً والأذنين مستديرتان جداً، أطول الأنف إلى إسفين ضيق وجعل الأذنين مثلثات طويلة.
- كم يجب أن يكون طول الذيل؟
- طوله تقريباً مثل طول جسمه و سمكه أكبر بكثير مما تعتقده الذيل غير الكافي هو ثاني أخطاء الثعالب الأكثر شيوعاً
- أين تذهب الأذن؟
- الأذنين مرتفعتان وقريبتان من بعضهما البعض، ومائلتان قليلاً نحو الخارج، وقارن الأذن الثانية بالأذن الأولى بدلاً من رسمها من الصفر.
- هل أحتاج إلى لون؟
- لا الصدغ الأبيض والساقين الداكنتين ونهاية الذيل الأبيض تقوم بالعمل في الجرافيت طالما أنك تحصل على القيم منفصلة
- كيف يختلف هذا عن درس القطة؟
- نفس البناء، أشكال أكثر حدة إذا كان القط ذهب جيدا هذا سوف يستغرق حوالي 12 دقيقة
- ثعلبتي تبدو مسطحة
- أنت لم تضع الظلام في الأسفل، يجب أن تكون الأرجل ونهاية الأذن أكثر ظلمة من الجسم، ليس قليلاً.
- هل يجب أن يكون الثعلب جالساً أم واقفاً؟
- الجلوس، في هذا الدرس - يخفي رجلين ويجعلك تركز على الرأس والذيل، التي تحمل الشخصية.
- ماذا يجب أن أرسم بعد هذا؟
- الكوب، للأشكال البيضوية، أو العين إذا كنت تريد أن تقفز إلى أصعب شيء في الموقع.
هل كانت هذه الصفحة مفيدة؟