How to Draw a Mug

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Yan ìpele ojú rẹ̀ àti àkànṣe rẹ̀.

You should be able to say whether you are looking down into this mug or across at it.

Ṣẹ̀dà nínú àwọn àyọkà àwọn ìṣàmúlò-ètò

Fi àwòrán àwọn àwòrán àwọn àyọkà rẹ pamọ́

A tí fi àwòrán pamọ́ fún ọ. Àwọn àkọlé àwòrán ní pàtó àwọn àwòrán.

Àkóónú àwòrán yìí

you draw a mug, you can draw a rounded top, but you can't draw a mug that is rounded. You can draw a mug that is rounded, but you can't draw a mug that is rounded. You can draw a mug that is rounded, but you can't draw a mug that is rounded. You can draw a mug that is rounded, but you can't draw a mug that is rounded, but you can draw a mug that is rounded, but you can't draw a mug that is rounded, but you can draw a mug that is roundedGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one ideaGet that one

Àwọn ìṣàmúlò-ètò

Àwọn ìtàn 1

Yan ìpele ojú rẹ̀ àti àkànṣe rẹ̀.

Everything about the ellipses follows from this. If the mug is below your eye level you will see into it; if it is level you will not. Make the decision consciously now rather than letting it drift halfway through the drawing.

Wòyé Not deciding, then drawing a rim that contradicts the base.

_Ṣẹ̀dà You should be able to say whether you are looking down into this mug or across at it.
Àwọn ìtàn 2

Dẹ̀ àwọn ìsàlẹ̀-ilà láti inú àwọn àwọn àgbègbè àìdájú àwọn ààyè-ìwé.

Go round three or four times without stopping and keep the best pass. Speed is what makes an ellipse smooth - drawn slowly it comes out lumpy on one side every single time, because your hand cannot hold a curve at low speed.

Wòyé Building it out of short careful arcs.

_Ṣẹ̀dà It should be symmetrical about its own long axis.
Àwọn ìtàn 3

Ṣẹ̀dà àwọn ojú-ìwé àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́ àwọn ààyè-iṣẹ́

Start exactly at the ends of the ellipse's long axis. A slight taper inward looks more natural than perfectly parallel sides, and it is what most real mugs do.

Wòyé Starting the sides inside or outside the rim, which leaves a visible step.

_Ṣẹ̀dà Each side should begin exactly at the widest point of the rim.
Àwọn ìtàn 4

Tí àwọn ààyè-iṣẹ́ ààyè-iṣẹ́ láti inú àwọn ààyè-iṣẹ́ àti àwọn ààyè-iṣẹ́ ààyè-iṣẹ́.

The base is further from your eye level than the rim, so it is rounder. Same width, more curve. Getting this relationship right is the difference between a mug that sits on the table and one that appears to be sliding off it.

Wòyé Drawing the base flatter than the rim, or as a straight line.

_Ṣẹ̀dà Rounder than the rim, and exactly the same width.
Àwọn ìtàn 5

Fi àwọn ìsàlẹ̀-ilà àwọn ààyè-iṣẹ́ ààyè-iṣẹ́ àti àwọn ààyè-iṣẹ́ ààyè-iṣẹ́ àti àwọn ààyè-iṣẹ́ ààyè-iṣẹ́ pamọ́.

This thin band is the thickness of the ceramic, and it is what makes the top read as an opening rather than a painted disc. One stroke, following the rim's curve.

Wòyé Drawing it parallel all the way round instead of following the ellipse.

_Ṣẹ̀dà There should be a visible band between the two curves at the front.
Àwọn ìtàn 6

Dẹ́ àwọn ìsàlẹ̀-ilà inú àwọn ìṣàmúlò-ilà tí a lò.

Start just below the rim and end about two-thirds of the way down the side. Both ends must touch the mug - a handle that floats beside the body is the most common error here and it is instantly visible.

Wòyé Leaving a gap where the handle meets the mug.

_Ṣẹ̀dà Both ends of the curve should touch the side of the mug.
Àwọn ìtàn 7

Fi àwọn ìsàlẹ̀-ilà ìsàlẹ̀-ilà pamọ́ sínú àwọn ààyè-ìwé àti àwọn ààyè-ìwé àti àwọn ààyè-ìwé.

A handle is a strap, not a wire. The inner curve runs parallel to the outer one and meets the mug slightly closer in at both ends. This is a small change that makes a large difference to how solid the mug looks.

Wòyé Drawing the handle as a single line.

_Ṣẹ̀dà There should be a visible gap between the two handle curves.
Àwọn ìtàn 8

Àwọn àmì-ìwé àti àwọn àmì-ìwé àwọn àmì-ìwé

Pick a side and commit. A cylinder shades differently from a sphere - the darkest band sits just inside the edge on the shadow side, not at the very edge, because light bounces back up off the table onto the rim.

Wòyé Shading the very edge darkest, which makes the mug look flat.

_Ṣẹ̀dà You should be able to say which side is lit.
Àwọn ìtàn 9

Shade the side of the mug away from the light.

Work in one direction rather than scrubbing back and forth. Scrubbing gives an even grey, which is exactly the thing that makes a drawing look flat, so lay the strokes the same way and build the darkness in passes.

Wòyé Being too timid. Beginners routinely stop two or three steps short of dark enough.

_Ṣẹ̀dà The dark side should be clearly darker than the mid tone, not slightly.
Àwọn ìtàn 10

Fi àwọn ààyè àìdájú ààyè àìdájú ààyè àìdájú ààyè àìdájú ààyè àìdájú ààyè àìdájú ààyè àìdájú ààyè àìdájú

Light bouncing off the table catches the very edge of a cylinder, so the darkest band sits slightly INSIDE the outline. Leaving that thin lighter strip is what makes the mug read as round rather than as a shaded rectangle.

Wòyé Running the shading right up to the outline.

_Ṣẹ̀dà There should be a thin lighter line between your shading and the edge.
Àwọn ìtàn 11

Fi àwọn ìwọ̀n ààyè-iṣẹ́ ààyè-iṣẹ́ àti àwọn ààyè-iṣẹ́ ààyè-iṣẹ́ pamọ́

The cast shadow is darkest where it touches the mug and softens as it moves away. It also anchors the object to a surface - without it the mug floats, however well you have shaded it.

Wòyé Drawing it as an even grey blob detached from the object.

_Ṣẹ̀dà It should touch the object and be darkest at that contact point.
Àwọn ìtàn 12

Lọ sí àwọn àyọkà tí o fẹ́ fi pamọ́, àti ìpàpọ̀ àwọn ìṣàmúlò-ètò.

This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.

Wòyé Going over everything at the same weight, which flattens the drawing back out.

_Ṣẹ̀dà The outline should be clearly darker than the smallest details.

Wó ò kùnà, àwọn ìtàn nínú àwọn ìtàn

Àwọn ìtàn àwọn ìtàn tí a tì ṣẹ̀dà ní pàtó, tí a ṣẹ̀dà ní àtòjọ-ẹ̀yàn láti ojú-ìwé àwọ́fẹ́ sí àwọn àwọn ìṣàmúlò-ètò tí a tí ìparí.

Tí a ṣè láti inú àwọn ìsẹ̀dá tí a tì kọ̀ ní àwọn ààyè-iṣẹ́ - kò si ohunkohun tí a fi fọ́nrásì, kò si ohunkohun tí a fi ọwọ́ kọ́.

Àwọn ìṣàmúlò-ètò tí a ti ṣẹ́

Àwọn àwòrán tí a ti pà àwọn ìṣàmúlò-ètò gbogbò nínú àti àwọn àkóónú tí o fẹ́ láti tọjú nínú ìrọ́wọ́lọ́wọ́ tí o fẹ́. Tó bá jẹ́ pé òǹlò rẹ̀ kò ní àwọn àkóónú ààyè-iṣẹ́ àti àwọn ìṣàmúlò-ètò ìpàdá nínú òǹlò rẹ̀, yìí ní àkóónú tí o kò tí - a tí n gba àwọn sékètà mẹ́rin-láàrin-láàrin.

The finished drawing of a mug with the construction lines erased

Ó kò lè wò nípa yìí, àti pé kò yẹ̀ ki o. Ó jẹ́ ìṣàfarawégbèsì àti àwọn ààyè àwọn ààyè tí a tí wọ́n lọ́wọ́lọ́wọ́, kò jẹ́ àwòrán tí ẹnikẹ́ni tí a tí ṣè láti jẹ́ àìbálẹ̀ - àwọn àwọn ààyè nípa yìí nípa fi fihan ọ̀rọ̀ àwọn à

Ohun ti ọkan yio kọ ọ

you draw an ellipse, you have to draw it in a way that you can see it from the rim. You have to draw it in a way that you can see it from the rim. You have to draw it in a way that you can see it from the rim. You have to draw it in a way that you can see it from the rim. You have to draw it in a way that you can see it from the rim. You have to draw it in a way that you can see it from the rim. You have to draw it in a way that you can see it.It drills line confidence hard: an ellipse drawn in one committed motion looks right, and the same ellipse assembled from twelve careful strokes looks wrong even when it is more accurate.It drills line confidence hard: an ellipse drawn in one committed motion looks right, and the same ellipse drawn in one committed motion looks wrong.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard.It drills line confidence hard

Àwọn ìṣàmúlò-ètò: Line confidence Proportion Corners and joins

Ohun tí o fẹ́

Aṣàfilọ́lẹ̀ kan, àti àwọn ààyè tí a fi pamọ́ lórí ààyè nínú ojú rẹ̀. Àkọlé yìí jẹ́ ìrànwọ́ jù nínú ohun tí a lè wò, nitorí pé a tí n kọ́ àwọn àwọn ààyè tí a fi pamọ́ lórí àwọn

Tí o bá jẹ́ àìdájú

the ellipse is not wobbly, you are drawing it slowly. Go round several times in one fast continuous motion and keep the best pass - a hand cannot hold a smooth curve at low speed. Drawing the visible arc gives you a rim that does not close. Drawing only the visible arc gives you a rim that does not close. If the mug looks like it is tipping over, the two ellipses agree. The bottom one is always slightly rounder than the top, never flatter. Drawing only the visible arc gives you a rim that does not close.Draw

Píríǹtì àwọn ìtàtì

Fi o kù nínú ojú-ìwé. Àwọn àtòjọ-ẹ̀yàn ìtàn tí a píríǹtì lórí ojú-ìwé kan.

Àkọ́lé (US) A4paper size

Àwọn Àtòjọ-ẹ̀yàn

Kini idi tí àwọn àwọn ìṣàmúlò-ètò mìíràn mìíra: Ó ń kọ́ wọn ní ìrànwọ́. Lọ́wọ́lọ́wọ́ lọ́wọ́lọ́wọ́ nínú ìjánu-ìjánú kan, láti fi àwọn ààyè tí o dara jù pamọ́.
Ìgbà wo nínú àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè: Ó dájú nípa ìpele ojú rẹ̀. Wòyè nípa àwọn ààyè tí a tí wa: nínú ìpele ojú ní o tí jẹ́ àwọn ààyè àwọn ààyè, láti inú oke ní o tí jẹ́ àwọn ààyè.
Kini idi tí aago mì tí wọ́n tí n pà?: Àwọn àwọn ààyè-ìwé ìsàlẹ̀-ilà kò ní ìdájú àwọn ààyè-ìwé ìsàlẹ̀-ilà. Àwọn ìsàlẹ̀-ilà ní gbogbo àwọn láti jẹ́ àwọn ààyè-ìwé àwọn ààyè-ìwé àwọn ààyè-ìwé.
Ààyè wo nínú àwọn ààyè àwọn ìṣàmúlò-ètò náà?: Ti o bẹrẹ ni isalẹ ti rim ati ipari ni ayika meji-mẹta-mẹta isalẹ, ti a fi kun si apa ju ti o ba n lọ ni iwaju rẹ.
Ń fẹ́ láti kọ́ àwọn ààyè-iṣẹ́ inú àwọn àwọn ààyè-iṣẹ́?: Àwọn àwọn ààyè ìsàlẹ̀-ilà tí a fi pamọ́ nínú àwọn ààyè àwọn ààyè. Àwọn ààyè àwọn ààyè yìí nínú àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè àwọn ààyè
Àwọn ìsàlẹ̀-ilà láti jẹ́ ìṣàfarawé: A ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a ti wa ni a.
Ń jẹ́ ìrànwọ́ fún ohunkohun mìíràn?: Ó jẹ́ ìbàlẹ̀. Ìjáde, àwọn àkókò, àwọn àkókò, àwọn à
Ohun ti mo yẹ ki o kọ̀ nínú àwọn àwọn àmì-ìwé yìí?: Àkọ́lé. Àwọn àwọn à