How to Draw an Ostrich

Корак по корак

1. Корак 1

   Draw the body as one oval and stop there.

   Nearly every bird is one egg-shaped mass with everything else attached to it. Draw the egg in one motion and let its tilt say what the bird is doing.

   Пази. Building the body from several small arcs.

   Пров› јери The body should be one smooth closed shape.

2. Корак 2

   Place the head - much smaller than you think.

   Bird heads are smaller relative to the body than beginners expect - usually about a quarter of the body length. Measure against the egg before you commit.

   Пази. An oversized head, which turns the bird into a cartoon.

   Пров› јери About four head-widths should fit along the body.

3. Корак 3

   Run two lines from the head down into the body.

   Even a short-necked bird has a neck: two curves joining head to body, front and back. Without them the head floats and the bird reads as a snowman.

   Пази. Leaving the head disconnected from the body.

   Пров› јери Both neck curves should touch head and body.

4. Корак 4

   Draw the beak - it comes off the front of the skull.

   The beak grows out of the skull rather than sitting on its surface, and its angle continues the line of the head. Shape and size are the strongest species cues on the whole bird.

   Пази. Sticking the beak flat onto the front of the circle.

   Пров› јери The top edge of the beak should line up with the skull.

5. Корак 5

   Put the eye in, high and forward.

   A bird's eye sits high and close to the beak. Small, dark, with one highlight - and its position matters far more than its rendering.

   Пази. Placing the eye centrally, which deadens the whole face.

   Пров› јери The eye should be nearer the beak than the back of the head.

6. Корак 6

   Add the folded wing, overlapping the body.

   The folded wing lies ON the body, crossing its outline. That overlap is what attaches it - a wing drawn inside the body outline reads as a pattern, not a limb.

   Пази. Drawing the wing floating inside the silhouette.

   Пров› јери The wing should cross the body outline somewhere.

7. Корак 7

   Sketch the feather groups on the wing.

   Feathers come in groups, and the groups are what you draw - two or three curved rows, not individual feathers. The eye supplies the rest reliably.

   Пази. Drawing every feather, which turns the wing into a fence.

   Пров› јери You should count feather GROUPS, not feathers.

8. Корак 8

   Place the legs under the body, toward the rear.

   Legs attach much further back than they appear to, because the visible leg is really the bird's foot and ankle. Get the attachment point right and the balance follows.

   Пази. Legs planted centrally, which makes the bird tip forward.

   Пров› јери The legs should attach behind the middle of the egg.

9. Корак 9

   Draw the tail.

   The tail continues the body's line rather than being stuck on the end. Draw it as one shape - separate feathers come last if at all.

   Пази. A tail at war with the angle of the body.

   Пров› јери The tail's top edge should flow from the back line.

10. Корак 10

    Shape the breast.

    The breast is the fullest curve on the bird and it carries the pose. Round it generously - a flat chest makes any bird look deflated.

    Пази. A flat front, which loses the bird's volume.

    Пров› јери The chest should be the roundest curve on the drawing.

11. Корак 11

    Draw the plumage pattern.

    Markings follow the body's form - they curve as the body curves. Flat pattern drawn over a round form cancels all the volume you just built.

    Пази. Drawing the pattern flat, ignoring the curve underneath.

    Пров› јери Any stripe or patch should bend with the body.

12. Корак 12

    Texture the breast lightly, curving with the body.

    Three or four short V-marks down the breast, each curving with the chest rather than sitting flat, and the whole bird reads as feathered. They also confirm the body's roundness - marks on a form must bend with it, which is the same rule as every stripe and patch on the site.

    Пази. Covering the breast evenly, which turns the bird into a pinecone.

    Пров› јери The marks should bend the same way as the chest outline.

13. Корак 13

    Add ground and shadow so it stops floating.

    One line under the feet and one flattened shadow arc beneath the body, darkest between the legs. A bird with no ground floats in white space no matter how well it is built - and the shadow also confirms where the legs actually are, which birds hide well.

    Пази. Skipping it and leaving the bird hovering.

    Пров› јери The shadow should sit directly below the body's widest point.

14. Корак 14

    Press harder on the final lines and erase the blocking-in.

    Weight the silhouette and the beak, keep the feather marks light, erase the construction. The contrast in line weight is what separates finished from traced.

    Пази. Uniform line weight over the whole bird.

    Пров› јери Silhouette darker than interior - check by squinting.