How to Draw an Ostrich

هەنگاو بە هەنگاو

1. هەنگاو 1

   Draw the body as one oval and stop there.

   Nearly every bird is one egg-shaped mass with everything else attached to it. Draw the egg in one motion and let its tilt say what the bird is doing.

   چاودێری بکە Building the body from several small arcs.

   پشکنین The body should be one smooth closed shape.

2. هەنگاو 2

   Place the head - much smaller than you think.

   Bird heads are smaller relative to the body than beginners expect - usually about a quarter of the body length. Measure against the egg before you commit.

   چاودێری بکە An oversized head, which turns the bird into a cartoon.

   پشکنین About four head-widths should fit along the body.

3. هەنگاو 3

   Run two lines from the head down into the body.

   Even a short-necked bird has a neck: two curves joining head to body, front and back. Without them the head floats and the bird reads as a snowman.

   چاودێری بکە Leaving the head disconnected from the body.

   پشکنین Both neck curves should touch head and body.

4. هەنگاو 4

   Draw the beak - it comes off the front of the skull.

   The beak grows out of the skull rather than sitting on its surface, and its angle continues the line of the head. Shape and size are the strongest species cues on the whole bird.

   چاودێری بکە Sticking the beak flat onto the front of the circle.

   پشکنین The top edge of the beak should line up with the skull.

5. هەنگاو 5

   Put the eye in, high and forward.

   A bird's eye sits high and close to the beak. Small, dark, with one highlight - and its position matters far more than its rendering.

   چاودێری بکە Placing the eye centrally, which deadens the whole face.

   پشکنین The eye should be nearer the beak than the back of the head.

6. هەنگاو 6

   Add the folded wing, overlapping the body.

   The folded wing lies ON the body, crossing its outline. That overlap is what attaches it - a wing drawn inside the body outline reads as a pattern, not a limb.

   چاودێری بکە Drawing the wing floating inside the silhouette.

   پشکنین The wing should cross the body outline somewhere.

7. هەنگاو 7

   Sketch the feather groups on the wing.

   Feathers come in groups, and the groups are what you draw - two or three curved rows, not individual feathers. The eye supplies the rest reliably.

   چاودێری بکە Drawing every feather, which turns the wing into a fence.

   پشکنین You should count feather GROUPS, not feathers.

8. هەنگاو 8

   Place the legs under the body, toward the rear.

   Legs attach much further back than they appear to, because the visible leg is really the bird's foot and ankle. Get the attachment point right and the balance follows.

   چاودێری بکە Legs planted centrally, which makes the bird tip forward.

   پشکنین The legs should attach behind the middle of the egg.

9. هەنگاو 9

   Draw the tail.

   The tail continues the body's line rather than being stuck on the end. Draw it as one shape - separate feathers come last if at all.

   چاودێری بکە A tail at war with the angle of the body.

   پشکنین The tail's top edge should flow from the back line.

10. هەنگاو 10

    Shape the breast.

    The breast is the fullest curve on the bird and it carries the pose. Round it generously - a flat chest makes any bird look deflated.

    چاودێری بکە A flat front, which loses the bird's volume.

    پشکنین The chest should be the roundest curve on the drawing.

11. هەنگاو 11

    Draw the plumage pattern.

    Markings follow the body's form - they curve as the body curves. Flat pattern drawn over a round form cancels all the volume you just built.

    چاودێری بکە Drawing the pattern flat, ignoring the curve underneath.

    پشکنین Any stripe or patch should bend with the body.

12. هەنگاو 12

    Texture the breast lightly, curving with the body.

    Three or four short V-marks down the breast, each curving with the chest rather than sitting flat, and the whole bird reads as feathered. They also confirm the body's roundness - marks on a form must bend with it, which is the same rule as every stripe and patch on the site.

    چاودێری بکە Covering the breast evenly, which turns the bird into a pinecone.

    پشکنین The marks should bend the same way as the chest outline.

13. هەنگاو 13

    Add ground and shadow so it stops floating.

    One line under the feet and one flattened shadow arc beneath the body, darkest between the legs. A bird with no ground floats in white space no matter how well it is built - and the shadow also confirms where the legs actually are, which birds hide well.

    چاودێری بکە Skipping it and leaving the bird hovering.

    پشکنین The shadow should sit directly below the body's widest point.

14. هەنگاو 14

    Press harder on the final lines and erase the blocking-in.

    Weight the silhouette and the beak, keep the feather marks light, erase the construction. The contrast in line weight is what separates finished from traced.

    چاودێری بکە Uniform line weight over the whole bird.

    پشکنین Silhouette darker than interior - check by squinting.