How to Draw a Cat

ステップバイステップ

1. ステップ 1

   円を高さよりも少し広く描いてみてください。

   Almost every animal head starts as one simple shape, and getting it slightly wide rather than perfectly round is what stops a cat reading as a human. Draw it in one motion rather than in short careful passes - a lopsided circle drawn confidently is more use to you than a perfect one built out of twelve nervous strokes, because everything after this gets measured against it.

   気をつけろ Making it small so there is room for the body. The head is the whole drawing here; use the space.

   チェック It should be noticeably wider than it is tall - about one and a tenth.

2. ステップ 2

   円の中央を通る直線を描く。

   This is the eye line, and it is the single most useful mark in the drawing. Eyes sit almost exactly halfway down a head - on cats and on people - but almost everybody places them much too high, because we think of eyes as being near the top of a face. Putting the line down before the eyes stops you guessing.

   気をつけろ Drawing it a third of the way down instead of halfway. Measure it: top edge to line should equal line to chin.

   チェック Fold the distance in half by eye. The line should sit on the fold.

3. ステップ 3

   二つ目の光線を中央から直線で描く。

   The vertical centre line keeps the two halves of the face agreeing with each other. Without it, one eye drifts wider than the other and the nose ends up off to one side - and because the error creeps in gradually you will not notice until the face is finished and looks subtly wrong.

   気をつけろ Skipping this because the face looks symmetrical already. It will not be by step 8.

   チェック The two lines should cross at the centre of the circle.

4. ステップ 4

   左耳を円の上に三角形で描く。

   The base of the ear belongs on the circle's edge, not floating above it. A cat's ears grow out of the skull, so the triangle should look like it is part of the head rather than balanced on top of it. Start the base inside the outline and let the sides rise from there.

   気をつけろ Perching the ears above the head with a gap underneath. That reads as a hat.

   チェック The bottom corners of the triangle should both touch or cross the circle.

5. ステップ 5

   右耳を同じように外に傾けて描く。

   Compare it to the one you just drew rather than to your idea of an ear: same height, same lean, same distance from the centre line. This is the comparison habit that fixes proportion generally, and a pair of ears is the easiest place to practise it because the error is obvious once you look for it.

   気をつけろ Making the second ear smaller. It usually happens because your hand is more cramped on that side.

   チェック Both ear tips should be about the same distance above the circle.

6. ステップ 6

   中央線に２つの目を描き、１眼の幅の間隔で描く。

   The gap between a cat's eyes is about one eye wide. That single measurement does more for the likeness than the shape of the eyes themselves, so place them before you worry about how they look. Sit them ON the line rather than above it.

   気をつけろ Putting the eyes too close together, which makes the face read as a kitten or a person rather than a cat.

   チェック You should be able to fit one more eye exactly in the gap.

7. ステップ 7

   両眼に垂直にスリットした瞳孔を描く。

   The slit pupil is the thing that makes it unmistakably a cat rather than a dog or a bear. Keep both slits vertical and the same width - in bright light they are thin, in low light they widen to almost fill the eye, so either is correct as long as the two match.

   気をつけろ Drawing round pupils, or two slits at different angles.

   チェック Cover one eye with a finger. The other should look the same.

8. ステップ 8

   中央線に鼻の小さな三角形を加えて

   The nose sits about halfway between the eye line and the chin, and it points down. Keep it small - a nose drawn too large is the second most common reason a cat face reads as a dog, after a snout that is too long.

   気をつけろ Drawing it level with the bottom of the eyes. It belongs lower, in the gap between eyes and chin.

   チェック It should sit on the vertical line, with equal space either side.

9. ステップ 9

   鼻から下に向かって 2本の曲線を描いて Wのように

   This is the mouth, and the shape is two shallow curves rather than one line. Both start at the bottom point of the nose. Keep them shallow - deep curves turn a neutral cat into a grinning one, which is a fine choice but should be a choice.

   気をつけろ Starting the curves from the sides of the nose instead of its bottom point.

   チェック Both curves should meet exactly at the nose tip.

10. ステップ 10

    口の両側に2つの柔らかい突起を描く。

    The whisker pads are what give a cat its rounded, slightly smug lower face, and beginners almost always leave them out - which is why a drawn cat can have every feature in the right place and still look flat. Keep them low and wide.

    気をつけろ Making them too small, so the face stays flat.

    チェック They should sit below the nose and overlap the mouth curves.

11. ステップ 11

    鼻の横から左に３本の髭を描く。

    Whiskers grow from the whisker pads, not from the outline of the face - that is the detail that makes them look attached rather than drawn on. Fan them out at different angles and let them run past the edge of the head. One confident stroke each.

    気をつけろ Starting them at the edge of the face, which makes them look like scratches on the paper.

    チェック All three should begin inside the muzzle bumps.

12. ステップ 12

    右に3本の髭を描いて合わせる。

    Match the angles rather than the exact lengths - real whiskers are uneven, and identical ones look printed. Again, one stroke each, and let your hand move from the shoulder rather than the fingers so the lines stay straight.

    気をつけろ Drawing these more carefully than the left side, so the two halves have visibly different line quality.

    チェック Step back. The whiskers should read as a fan, not a comb.

13. ステップ 13

    耳の中に小さな三角形を描け

    The inner ear sits slightly forward of centre and does not reach the tip. Leaving a margin of outer ear all the way around is what gives the ear thickness - fill it to the edges and the ear goes flat.

    気をつけろ Drawing the inner triangle all the way to the ear tip.

    チェック There should be a visible border of outer ear on every side.

14. ステップ 14

    顔の両側に短い毛の跡をつけて指す。

    Fur is suggested, never drawn hair by hair. A handful of short strokes breaking the outline at the cheeks is enough for the eye to fill in the rest, and it stops the head reading as a hard circle. Point them the way the fur grows - outward and slightly down.

    気をつけろ Adding fur all the way around the head, which turns the silhouette to fuzz.

    チェック Only the cheeks should be broken up. The top of the head stays smooth.

15. ステップ 15

    保持したい線を越えて ２つのガイドを失う

    This is the step that turns a construction drawing into a finished one, and it is the step most people skip. Press harder on the outline, the ears and the eyes; leave the fur and whiskers light. That difference in line weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.

    気をつけろ Going over everything at the same weight, which flattens the drawing back out.

    チェック The outline and eyes should be clearly darker than the whiskers.