How to Draw a Shark
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Lay in one oval for the whole body.
The body should be symmetrical about its long axis.
الرسم على الورق بدلاً من ذلك؟
نحن نقوم بتصحيح وتطهير الصورة من أجلك الورق يحسب بنفس الطريقة تماماً
حول هذا الرسم
A shark is a torpedo with a triangle on top, and the whole menace lives in three choices: the dorsal fin is tall and swept back, the mouth sits UNDER the head rather than on its front, and the tail's top lobe is much longer than its bottom one. Miss any of the three and you have drawn a friendly fish.
Underneath, this is an oval and a tail like every swimmer on the site; the species is in the fins, the mouth and the markings.
خطوة خطوة
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الدرجة 1
Lay in one oval for the whole body.
One long oval, drawn fast. Fish bodies are smooth in a way hands are bad at producing slowly, so go round the shape in one continuous motion and keep the best pass.
إنتبه A lumpy body built from careful short strokes.
.. تحقق The body should be symmetrical about its long axis.
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الدرجة 2
Draw the tail shape.
The tail is bigger than you think - often a third of the body's length. An undersized tail is the single thing that makes a drawn fish read as a leaf.
إنتبه A small tail tucked against the body.
.. تحقق The tail should be about a third of the body length.
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الدرجة 3
Add one curve for the gill.
One curve, following the round of the head, roughly a fifth of the way along. It separates head from body and does more work than any other single line on the fish.
إنتبه A straight gill line, which flattens the head.
.. تحقق The gill curve should bow the same way as the nose.
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الدرجة 4
Draw the eye and its pupil.
High and forward - roughly where the gill curve meets the top third. Round, dark centre, one highlight. Too low or too far back and the fish stops looking alert.
إنتبه Centring the eye in the head.
.. تحقق The eye should sit above the body's midline.
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الدرجة 5
Draw the mouth at the front.
The mouth sits at the very front, lower than the eye, and it is smaller than instinct says. A short curve is enough - an open grin turns the fish into a cartoon.
إنتبه A large smiling mouth.
.. تحقق The mouth should be below and forward of the eye.
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الدرجة 6
Draw the dorsal fin.
Start the fin lines INSIDE the body so they cross the outline. That overlap is what attaches the fin - drawn outside the line it floats like a flag.
إنتبه A fin sitting on the outline without crossing it.
.. تحقق Fin lines should visibly cross the body outline.
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الدرجة 7
Add the lower fin.
Compare it to the top fin, not to your idea of a fin: position, rake and size all read against the one you already drew.
إنتبه A bottom fin that mirrors the top exactly - they rarely match in nature.
.. تحقق The two fins should differ, deliberately.
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الدرجة 8
Put the small side fin on.
The pectoral fin is the smallest and it sits just behind the gill curve, angled back. It is the one nearest the viewer, so it draws over the body.
إنتبه Making the side fin as big as the others.
.. تحقق It should be clearly the smallest fin.
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الدرجة 9
Draw some texture on the body.
Suggest, never itemise. A handful of marks near the head lets the eye tile the rest of the body; drawing every scale turns the fish into a texture swatch.
إنتبه Covering the whole body in scales.
.. تحقق Most of the body should still be empty.
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الدرجة 10
Put in the features specific to a shark.
Species markings follow the body's curve and fade toward the belly. Put them on deliberately - they are the difference between a fish and this fish.
إنتبه Markings drawn flat across a curved body.
.. تحقق Stripes or patches should bend with the form.
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الدرجة 11
Add tone under the body.
The underside is darker - light comes from above, even underwater in a drawing. One soft band of tone along the belly makes the whole fish read as round.
إنتبه Even tone everywhere, which flattens the body.
.. تحقق The belly should be clearly darker than the back.
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الدرجة 12
Draw three bubbles and two ripples, and stop.
Three bubbles of different sizes rising off the mouth and two long ripple lines are the entire ocean - more reads as boiling. The bubbles shrink as they rise, and the ripples drift horizontal, which is what places the shark in water instead of in white space.
إنتبه A column of same-size bubbles, or ripples that wave like flags.
.. تحقق The bubbles should get smaller as they rise.
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الدرجة 13
Press harder on what stays, remove what does not.
Darken the silhouette and the tail, keep pattern marks light, erase the construction oval. Weight contrast finishes the drawing.
إنتبه Every line at the same weight.
.. تحقق The outline should dominate when you squint.
ما يبدو أنه انتهى
نفس الرسم مع محو كل دليل والخطوط فقط التي كنت تقصد الاحتفاظ بها، في الوزن الذي كنت تقصد أن تكون عليه. إذا كان الرسم الخاص بك لا يزال يحتوي على خطوط مركزية وأشكال مغلقة في ذلك، فهذه هي الخطوة التي لم تفعلها بعد - وتستغرق حوالي ثلاثين ثانية.
إن رسمك لن يبدو كهذا، وليس من المفترض أن يبدو كذلك. هذا هو البناء بعد إزالة السقالات، وليس رسماً رسمه شخص ما ليُعجب به ـ الهدف من هذا الرسم هو أن يبين لك أي من خطوطك كانت دليلاً.
ماذا تعلمك هذه في الواقع
What transfers is suggestion over itemisation - a few scale marks that let the eye tile the rest. The same restraint draws leaves, hair and crowds.
The shark is the site's cleanest demonstration that identity lives in a handful of decisions, not in detail: vertical tail, underslung mouth, swept dorsal. Three facts, correctly placed, beat an hour of texture.
ممارسة هذه: Line confidence Proportion Value range
ماذا تحتاجين
A pencil and any paper, or a finger on the canvas above - nothing here needs special equipment. Keep the construction light if you are on paper, because the guides come off at the end.
إذا كان يسير على نحو خاطئ
If it looks like a dolphin, the tail is wrong: a shark's tail is VERTICAL with a long top lobe, where a dolphin's is horizontal. That one fact separates the two silhouettes.
If it looks cute, the mouth is on the front of the face. A shark's mouth is underslung - it sits below the head, well back from the nose tip.
If the body looks stiff, the spine has no curve. Even cruising, a shark's body is one long S from nose to tail - flat torpedoes read as submarines.
طباعة الخطوات
أبعدها عن الشاشة، ورقة الخطوات تطبع على صفحة واحدة
أسئلة يطرحها الناس
- How do I draw a shark's tail?
- Vertical, with the top lobe much longer than the bottom - the opposite of a dolphin's horizontal tail. This single choice decides which animal you drew.
- Where does a shark's mouth go?
- Under the head, well back from the nose, as one long downward arc with a few tooth ticks. A mouth on the front of the face makes it a cartoon.
- How do I draw the gills on a shark?
- Five short parallel curves just before the side fin, angled with the body. They are the only texture the drawing needs.
- How do I start drawing a shark?
- One body oval, drawn fast in one motion, then the tail before any detail. Everything else - fins, gill, eye - attaches to that oval by overlapping it, which is what keeps the parts reading as one animal.
- How big should the tail be on a shark?
- Bigger than feels right - about a third of the body length. An undersized tail is what makes a drawn fish read as a leaf.
- Do I have to draw all the scales on a shark?
- No, and you should not. A few marks near the head let the eye tile the rest of the body on its own; drawing every scale turns the animal into a texture swatch and loses the big shape you built first.
- Can a beginner draw a shark?
- Yes - it is one oval, a triangle and some overlapping fins, with a finish-early step marked partway through.
- Why do the fins on my shark look stuck on?
- They are not crossing the body outline. Start each fin line inside the body so it visibly overlaps the oval - that overlap is the attachment, and it is the single trick this whole family of lessons keeps reusing.