How to Draw a Tomato
1 / 12
Begin with the big shape.
It should fill most of the page with a margin all round.
대신 종이에 그림을 그릴까요?
우리는 당신을 위해 사진을 똑바로하고 청소합니다. 종이는 정확히 동일합니다.
이 그림에 대해
A tomato is a squashed sphere with shoulders: wider than tall, gently lobed around the top, wearing a green star-shaped calyx whose points curl UP off the surface. The lobes are stated by the outline's shallow bumps and by nothing else - shading them individually is how tomatoes turn into pumpkins.
Like every simple form on this site, it is one mass plus value: block it in, break the outline where the real thing does, then let light do the rest.
단계별로
-
단계 1
Begin with the big shape.
One shape, one motion. A slightly lopsided mass drawn confidently beats a perfect one assembled from nervous strokes, because you can correct a shape and you cannot un-see hesitation.
조심해 Building the mass from many small safe strokes.
체크 It should fill most of the page with a margin all round.
-
단계 2
Make the silhouette uneven.
Nothing organic is a perfect oval. Push the outline in and out where the subject actually does - the asymmetry IS the likeness.
조심해 Leaving the construction oval as the finished outline.
체크 The outline should differ visibly from the oval underneath.
-
단계 3
Draw a cross through the middle.
Two light lines through the middle are the rulers for everything that follows. Without them the features drift off-centre a few millimetres at a time.
조심해 Skipping the axes because the shape looks simple.
체크 The two lines should cross near the middle of the mass.
-
단계 4
Draw the top feature.
Whatever sits on top attaches INTO the form, not onto its outline - it comes out of a dip or a mound, and drawing that junction is what attaches it.
조심해 Balancing the stalk on the outline like a hat.
체크 The top feature should overlap the mass's outline.
-
단계 5
Draw the top hollow.
The hollow around the top is what makes the form read as having a top rather than an edge. One curve, and note which way it bows - it tells the viewer where their eye is.
조심해 Omitting the dip so the top sits on a flat line.
체크 The dip should curve, not sit flat.
-
단계 6
Decide the light source now.
Pick a direction and commit. Every decision from here - shading, highlight, cast shadow - follows from this one, and changing your mind halfway is the classic way a drawing ends up lit from two directions.
조심해 Deferring the decision and shading by instinct.
체크 You should be able to point at the light source.
-
단계 7
Add tone on the shadow side.
Work in one direction and build darkness in passes. Scrubbing back and forth gives an even grey - precisely the thing that makes a drawing look flat.
조심해 Scrubbing, and stopping two steps short of dark enough.
체크 The dark side should be clearly darker than the mid tone.
-
단계 8
Add the bounced light.
Leave a thin lighter strip right at the shadow-side edge - bounced light from the surface below. It is the single cheapest thing that makes a form read as round.
조심해 Running the shading tight to the outline.
체크 A lighter line should separate shading from edge.
-
단계 9
Draw the highlight where the light hits.
One highlight, small, off-centre on the lit side. Two symmetrical highlights read as plastic; a big one reads as wet.
조심해 A large or doubled highlight.
체크 The highlight should be smaller than your thumbnail.
-
단계 10
Add the surface marks that say tomato.
Surface marks follow the form - they curve over the mass and fade near the highlight. Flat marks cancel the volume you just shaded into it.
조심해 Marks drawn flat across the curved surface.
체크 Marks should bend with the surface.
-
단계 11
Draw the shadow underneath.
Darkest at the contact point, softer as it stretches away from the light. It anchors the object; without it everything you shaded still floats.
조심해 An even grey puddle not touching the object.
체크 The shadow should touch the object's base.
-
단계 12
Go over the keepers and erase the guides.
Weight the silhouette, erase the axes and the oval, and leave the interior marks light. The weight difference is what makes it look deliberate.
조심해 Equal weight everywhere.
체크 Outline darkest, marks lightest, guides gone.
완료된 것처럼 보이는 것
모든 안내선을 지우고 원래 표시하려고 했던 선만 보여주는 동일한 그림입니다. 만약 당신의 그림에 중앙선과 블록형태가 아직 남아있다면, 이 단계는 아직 완료하지 않았습니다. 약 30초가 걸립니다.
당신의 것은 이렇게 보이지 않을 것입니다, 그것은 그렇게 될 수 없습니다. 이것은 누군가가 존경받기 위해 만든 그림이 아닌, 떨어져 나간 스케일링과 함께 건설입니다 - 점은 당신의 선 중 어느 것이 가이드인지를 보여주는 것입니다.
이 책이 실제로 가르치는 것은
What transfers is the standard light kit - core shadow inside the edge, bounced light at it, one small highlight, a cast shadow that anchors. Every shaded form you ever draw uses all four.
The tomato draws the line between silhouette information and surface information: its lobes live entirely in the outline while the shading stays spherical. Knowing which channel a fact belongs in is the drawing decision this fruit exists to teach.
이것들을 연습하세요: Line confidence Proportion Value range
필요한 것
Anything that makes a mark. On paper, press lightly for the first few steps - most of what you draw early is scaffolding you will erase.
잘못된 일이 생기면
If it reads as an apple, it is too tall: a tomato is clearly wider than high, with its weight sitting low.
If it reads as a pumpkin, you shaded the lobes: state them only as shallow bumps in the top outline and shade the fruit as ONE sphere.
If the calyx lies flat, curl it: the green points lift off the fruit's surface, each casting a sliver of shadow beneath itself.
단계 인쇄
스크린에서 떼어내십시오. 단계 시트는 한 페이지에 인쇄됩니다.
사람들이 묻는 질문
- How do I draw the top of a tomato?
- Shallow lobed bumps in the outline, a green star-shaped calyx with points curling up off the surface, and a short thick stem. The lobes live in the outline only - shade the fruit as one sphere.
- Why does my tomato look like a pumpkin?
- You shaded the lobes as segments. A tomato's lobes are outline information; its surface shades as a single smooth sphere.
- What proportions does a tomato have?
- Wider than tall - roughly five wide to four high - with the weight sitting low. A tall tomato reads as an apple wearing the wrong hat.
- Can I draw a tomato on paper instead of the canvas?
- Yes, and for a shading lesson paper is arguably better - a soft pencil gives you more range than a finger on glass. The printable sheet has every step, and a photographed result is measured the same way.
- How do I start drawing a tomato?
- One oval, drawn in a single motion, then correct the silhouette where the real thing differs. The oval is scaffolding, not the outline.
- How do I shade a tomato?
- Pick a light direction and commit, shade in one direction in passes, keep the darkest band just inside the edge, and leave one small off-centre highlight.
- Why does my tomato look flat?
- Almost certainly range - no true dark anywhere and no untouched light left on the page. Go two steps darker than feels safe and leave the highlight alone.
- Can a beginner draw a tomato?
- Yes - it is deliberately one of the simpler forms here, chosen so the shading can be the whole lesson.
- Does a tomato need a cast shadow?
- Yes, always. Without one the form floats on the page however carefully you shaded it. Darkest at the contact point, softer as it stretches away.