How to Draw a House
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Block in the big square of the house.
It should fill most of your page, with a margin all round.
대신 종이에 그림을 그릴까요?
우리는 당신을 위해 사진을 똑바로하고 청소합니다. 종이는 정확히 동일합니다.
이 그림에 대해
A house is a square with a triangle on top, and almost everybody can already draw both. That makes it the ideal place to learn something harder without noticing: that straight lines are difficult, and that a drawing lives or dies on whether they meet.
This is the lesson where corners matter. A square whose corners nearly meet looks wrong in a way nobody can name, and fixing that habit here pays off in every man-made object you draw afterwards.
단계별로
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단계 1
Block in the big square of the house.
Everything else gets measured against this, so draw it in one motion rather than in short careful passes. A slightly lopsided shape drawn confidently is more use than a perfect one built out of twelve nervous strokes, because you can correct a shape and you cannot un-see a hesitant line.
조심해 Drawing it small to leave room for detail. The big shape is most of the drawing - use the space.
체크 It should fill most of your page, with a margin all round.
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단계 2
Put a triangle on top for the roof.
The base of the triangle sits exactly on the top of the square - same width, no overhang yet. Aim for a roof about a third of the total height; that is the proportion that reads as an ordinary house.
조심해 Making the roof too shallow, which turns the house into a shed.
체크 The roof should be roughly a third as tall as the wall.
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단계 3
Extend the roof slightly past the walls on both sides.
Real roofs overhang. Two short lines poking out past the corners is a tiny change that immediately makes the house look built rather than diagrammed.
조심해 Making the overhang enormous, which reads as a bandstand.
체크 The overhang should be small - about the width of a window frame.
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단계 4
Draw a light guide line across the wall for the windows.
This is the same trick as the eye line on a face: put the ruler down before the features, not after. Windows at different heights are the most common thing that makes a house look rushed, and this one line prevents it entirely.
조심해 Skipping the guide and placing each window by eye.
체크 The line should be horizontal and cross the whole wall.
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단계 5
Draw the door, slightly off-centre, sitting on the ground.
Off-centre looks more natural than dead middle and leaves room for a window beside it. The bottom of the door must sit exactly on the bottom of the wall - a door that floats is very noticeable.
조심해 Leaving a gap under the door.
체크 The door's bottom edge should be ON the wall's bottom edge.
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단계 6
Add a window on the guide line.
A square with a cross through it is enough. Keep it small relative to the wall - beginners routinely draw windows so large the house looks like a shopfront.
조심해 Drawing the window bigger than the door.
체크 The window should be smaller than the door.
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단계 7
Draw the second window to match the first.
Compare it to the one you just drew rather than to your idea of a window: same size, same angle, same distance from the centre. This is the comparison habit that fixes proportion everywhere, and a pair is the easiest place to practise it because the error is obvious once you look for it.
조심해 Making the second window smaller - it usually happens because your hand is more cramped on that side.
체크 Both should sit the same distance from the centre line.
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단계 8
Add a chimney on one slope of the roof.
Put it on the slope rather than at the peak, and make its sides vertical even though the roof is sloping. A chimney that leans with the roof is the classic beginner tell.
조심해 Drawing the chimney perpendicular to the roof slope.
체크 Both chimney sides should be vertical, like the walls.
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단계 9
Draw a ground line running behind the house.
One horizontal line either side anchors the house to the earth. Without it the building floats, no matter how well you have drawn it - the same reason a cast shadow matters on an apple.
조심해 Drawing the ground line touching only the corners.
체크 The line should pass behind the house and out both sides.
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단계 10
Add the door handle and a little smoke.
Detail is suggested, never itemised. A handful of marks in the right places lets the eye fill in the rest, and drawing every one flattens the drawing into texture. Put them where they matter and stop early.
조심해 Adding detail evenly all over, which removes the contrast between busy areas and quiet ones.
체크 Step back. You should still read the big shape first, detail second.
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단계 11
Go over the lines you want to keep, and lose the guides.
This is the step that turns a construction drawing into a finished one, and it is the one most people skip. Press harder on the outline and the features; leave the small stuff light. That difference in weight is what makes a drawing look deliberate rather than traced, and it costs thirty seconds.
조심해 Going over everything at the same weight, which flattens the drawing back out.
체크 The outline should be clearly darker than the smallest details.
완료된 것처럼 보이는 것
모든 안내선을 지우고 원래 표시하려고 했던 선만 보여주는 동일한 그림입니다. 만약 당신의 그림에 중앙선과 블록형태가 아직 남아있다면, 이 단계는 아직 완료하지 않았습니다. 약 30초가 걸립니다.
당신의 것은 이렇게 보이지 않을 것입니다, 그것은 그렇게 될 수 없습니다. 이것은 누군가가 존경받기 위해 만든 그림이 아닌, 떨어져 나간 스케일링과 함께 건설입니다 - 점은 당신의 선 중 어느 것이 가이드인지를 보여주는 것입니다.
이 책이 실제로 가르치는 것은
This is a closure lesson wearing a house costume. Corners meeting is the single most visible marker of care in a drawing, and it is entirely mechanical - overshoot rather than aim.
It also introduces the idea that a drawing has a big shape and small shapes, and that the small ones must line up with each other. Windows at different heights are the same error as eyes at different heights, just easier to see.
And it is the first drawing here with straight lines, which are harder than curves and worth practising on purpose. A straight line is drawn from the shoulder in one movement with your eye on the destination rather than on the pencil - exactly the way you would throw a ball. Watching the tip is what produces the wobble.
이것들을 연습하세요: Line confidence Proportion Value range
필요한 것
A pencil and paper is ideal here because you will want to press lightly at first. Do not use a ruler - a slightly wobbly hand-drawn line looks alive, and a ruled one looks like a plan.
잘못된 일이 생기면
If it looks like a plan rather than a drawing, you used a ruler or pressed evenly all the way round. Vary the pressure.
If the corners look scruffy, you are stopping exactly on them. Overshoot slightly and let the lines cross - a crossed corner reads as closed, a gap does not.
Keep the door and windows aligned with each other. Nothing gives away a rushed house like windows at different heights.
단계 인쇄
스크린에서 떼어내십시오. 단계 시트는 한 페이지에 인쇄됩니다.
사람들이 묻는 질문
- Should I use a ruler?
- No. A slightly wobbly hand-drawn line looks alive; a ruled one looks like an architectural plan and is much harder to make look good.
- My corners look scruffy.
- You are stopping exactly on them. Overshoot slightly and let the lines cross - a crossed corner reads as closed, a small gap does not.
- How do I make it look 3D?
- Add a side wall: a second, narrower face going back at an angle. That is Level 2 territory, and the box lessons there cover it.
- Where should the door go?
- Slightly off-centre looks more natural than dead middle, and it gives you room for a window beside it.
- How big should the roof be?
- About a third of the total height. A shallow roof reads as a bungalow and a very steep one as a chalet - both fine, but choose.
- My windows are at different heights.
- Draw a light horizontal guide line across the wall first and sit both windows on it. It is the same fix as the eye line on a face.
- Can I add a garden?
- Keep it simple - a ground line and one or two shapes. A busy garden competes with the house for attention.
- What should I draw after this?
- The book lesson. It is the same corner-meeting skill applied to something with real perspective in it.